The Hurricane

The Hurri dejectione (Viewing Task) How well does the composer dodge the audition to call back that Rubin Carter was falsely acc persona establish on racial discrimination (1000-1500 words) There argon party ways the composer of the 1999 photo The Hurricane readys the earshot to deal that Rubin Carter was wrongly acc ingestiond found on racial discrimination. The come upon ways in which the composer does this is through the social complex body part of the picture show and the utilise of techniques such as non-linear construction and foreshadowing.This celluloid is about an African American piece who is faced with many complications e actuallyplace the origin of his deportment including being wrongly accused of killing trinity people which led to behavior imprisonment. The composer dapples the computeer of the video The Hurricane to retrieve that Rubin Carter played by Denzil Washington was wrongly accused ground on Racial discrimination. This is adro itly d unrivaled with the existing Rubin Carter playing a see role in providing all the voice all overs and having a strong influence in how the movie is tell and seen.Characterisation as well as plays a key role in the way the composer see to its the audience to believe that Rubin Carter was wrongly accused based on racial discrimination. This is achieved by exhibit exactly Rubins side of the narration and absorbion him as being treated completely unfairly and unjustly which is completely biased. The composer is also able to hold in the audience through his functionisation of the prison provide and jurisprudence police officers in the movie.They ar pictureed as being fuck up and this is shown through dialogue such as the scene when one of the victims of a wound is on his death bed and is asked by the police officers to identify whether or non Rubin was the man who ray of light him. When the man replies no, the police officer badly asks Sir look closer, atomic number 18 you sure these arnt the men? as if to intimidate the victim into identifying Rubin as the perpetrator.The police officer is whence portrayed to be racist as he goes on to say Im going to take you black ass peck which contributes greatly to the perception that the police officer is corrupt and that Rubin Carter was wrongly accused based on racial discrimination. The movie accounts the opposing legal team that are battling for Carter to be kept in jail as very racist. They constantly refer to Carter with a sniff out of disgust because he is an African American. The use of these techniques plainly add weight to the views of Rubin Carter which in turn makes the movie completely bias and anipulates the audience to believe that Rubins side is truthful and correct and that he was real a victim of racial discrimination. Non-Linear structure also contributes to the way the composer effectively garbles the audience to believe that Rubin Carter was wrongly accused based on racial discrimination. Non-linear structure is where effects such as flash backs are used which in turn means that not all events that take place in the movie are in chronological order which creates the smell out that something is hidden Isabella Moro Monday, 3 declination 2012 15518 PM AET r not heretofore revealed to place the attestator in a position where they are able to fill in the gaps. The use of non-linear structure is present through the whole movie but the main focus is on one particular scene where Rubin is arrested shortly after torpedo shots were fired. More and more of these scenes are revealed over the course of the movie persuading the audience that Rubin is artless because the flash backs (especially those in black and white) are portrayed as being completely factual and non-bias.However, what we have to remember is that the story is still being told from Rubin Carters point of view and therefore the accuracy of the flash backs are un-reliable. By using non -linear structure, the composer has been able to subtly and successfully mold the audience that the story is factual and has therefore achieved to contain their views. Non-Linear structure is a key way that the composer successfully manipulates the audience to believe that Rubin Carter was wrongly accused based on racial discrimination.Another technique used over the course of The Hurricane is foreshadowing, this technique is also a very effective technique used by the composer to manipulate the audience into believing that Rubin Carter was wrongly accused based on racial discrimination. Foreshadowing shows the constitute up of something significant such as a key event or a change in a characters attitude or core beliefs. Foreshadowing is shown in particular over the course of the movie when Rubin Carter is in jail.There is a build up over time showing the diverse senses Rubin went through, from being get down and showing a troop of anger towards everyone, to a complete chang e of character when he met Lezra and his three other Canadian friends. Rubin is then put in a position where he has to choose between whether or not to avow these white people to help him, or if he is just going to go back to his shorttempered, depressed self. This is a significant part of the movie as all other events shown so far pass on up to this decision.After deep thought and a cordial battle Ruben decides to choose to fight for his freedom as he knows he has been unlawfully imprisoned overdue to racism. The use of foreshadowing in this instance tries to portray Rubin Carter as a tortured victim of racial discrimination. The use of foreshadowing in this movie is a key technique the composer uses to successfully manipulate the audience to believe that Rubin Hurricane Carter was wrongly accused of murdering three innocent people due to a decision alone based on his race.In conclusion, the movie The Hurricane is not a reliable representation of the events that led to the imp risonment of Rubin Hurricane Carter and is in fact a bias depiction of the real life events told from the point of view of Rubin Carter himself. The movie expresses his views on how he was unfairly accused of murder because of his race. by dint of the use of video, non-linear structure and foreshadowing the composer is able to manipulate and effectively allure the audience that Rubin Carter was wrongly confine based on racial discrimination. The Hurricane (Viewing Task) Isabella Moro Monday, 3 December 2012 15518 PM AETThe HurricaneThe engage The Hurricane directed by Norman Jewison claims to accurately depict the life of injustice suffered by middleweight champion Rubin Hurricane Carter. The film director uses dramatis personae, characterisation, redness and music in order to convince the audience of Carters innocence. Jewison uses evidence, in some cases false, to manipulate the audience into believing that the Hurricane is and continuously has been an innocent man. This clever manipulation is cl be time evident in his hurl and video choices of Lezra to emotionally vest audiences into his journey aboard Rubin Carters.This technique is also used to create and utter(a) the other cast members to guide viewers thoughts and opinions as the director wishes. Furthermore, the lighting and music are blatantly manoeuvred to garner an emotional reaction from audiences, this is unembellished in the poignant scenes of Carter as the victim of sad injustice. Without Jewisons clear bias filmmaking, the audiences would have been go forthfield with a different view of Carter. Casting and characterization in the film The Hurricane are utilized to convey viewers of The Hurricanes innocence.The casting of the characters Rubin Carter, Lezra Martin, Lisa Peters, Sam Chaiton, terrycloth Swinton and Lt. Jimmy Williams was necessary to create the image of crackingness, as we associate attractive people with being good and kind hearted. Athletically appealing actor s have been cast in all these roles in order for us to mechanically assume them to be good. However, Det. Sgt. Della Pesca and the Prison Warden (the major villains) are cast as old, overweight, balding men to delay us of their wickedness.By casting Rubin Carter as an attractive man the director persuades us into believing in Carters innocence. Furthermore, the character of Lezra Martin is carefully created to work as an audience stand in for the film. This technique is used so Lezra works as our stand in to Carters life. Lezra, like the viewer is new to Carters life and his story, while he learns about Carter, so do the audience, as he grows to love and trust Carter, so do the audience. Like Lezra the viewers become prone and emotionally vested in The Hurricane, so the questioning of his innocence becomes ludicrous to the viewers.The film technique of manipulating the viewers perspective is also found in the use of lighting. The use of lighting in the film The Hurricane positions the viewer into trusting that Hurricane Carter is an innocent man. Jewisons use of lighting to persuade the viewer is evident in an early scene depicting Carter and Della Pesca facing towards each other, the only light in the frame is on the direct table behind them, so the audience can only see the side on silhouettes of both(prenominal) Rubin Carter and Det. Sgt.Della Pesca but no detail in their faces. In this scene, we see the stark contrast of their profiles, The Hurricanes diffused features and Della Pescas pointed and upturned features. This technique which has been used since the times of ancient Greek theatre is used to depict the proganist , usually the hero, with soft flowing features and the antagonist, usually the villain, with sharp, pointed features. By doing this, Norman Jewison has automatically positioned the audience to see Rubin Carter as a good and innocent man.This sort of location is also particularly evident in Jewisons use of music in the film. Norman J ewison emotionally influences the viewer into believing that Carter is innocent through his punctilious use of music in The Hurricane. The audience easily finds themselves emotionally attached to the story through knowing but effective music. At various points in the film a grave, slow, low, jazz melody plays which always coincides with a scene where the viewers are positioned to believe injustice is shown.When Della Pesca interrogates a young Rubin Carter, when Rubin is brought into the hospital of the victim, during The Hurricanes first trail as well as when Carter is put into solitary confinement by the merciless prison warden. The audience is persuaded into associating this music with injustice, so with the use of this music at the right point, such as when The Hurricane is imprisoned the viewers automatically believe it is injustice, which causes us to feel emotionally effected by this and believe in his innocence.Norman Jewison positions viewers of the film The Hurricane to see Rubin Carter as an innocent man. This is done through casting the shoplifters role to an aesthetically pleasing man, the casting of the antagonists role to an older, unattractive man, the characterisation of Lezra Martin, the precise lighting of scenes and the meticulous use of emotion triggering music. Without these manipulative film techniques, viewers would have been left with a different image of Rubin Carter and a great doubt of his innocence.